White RabbitIt’s
been
a
long
way
down
this rabbit hole
I’ve chased you into
If only I had heeded
the warnings
The muddy excuses,
all the broken branch truths –
tearing my dress of trust
before going through the looking glass
cut by mirror shards of unfaithfulness
Before I took the leap
into this dank hole
I so hastily followed you into
Before I took the fall
of disillusioned desire
Before I took the journey
into your wonderland
Truly risked it all…
and for what…
covered in cobwebbed longing
They keep laying body’s down
One on top of the other
like a layered cake
nothing except dirt between them
It’s called Hart Island
The land of unknown souls
Unclaimed body’s from the overfilling morgues
This plague, this virus, this morphing disease…
Its claiming countless lives day after day
Body’s falling down on the streets
Collapsing faster than dominos
No one to catch them afraid of contraction
Collected like unwanted trash alongside highways
Toxic waste that belongs in a landfill
Triple gloved, Hazmat suited hands heave them –
Into their final “resting place” with no one to mourn
It’s called it Hart Island
The land of unknown souls
I often wonder why they call it that
Did they purposefully remove the E for empathy?
How many people actually cried for them?
Did someone pray the Rosary?
Was there a group that Danced for the Dead?
Were flowers or lanterns sent out to sea?
This is where we ship the unwanted
It made no difference that they were sons and daughters
No efforts made to try and discover their stories
Time is to precious a gift to waste on vagrants
It’s called Hart Island
The land of unknown souls
Resurrected in the 19th Century
A tribute to AID’s victims undesirables
What a comforting thought to the privileged
Their cemeteries are clean
One can never be too safe from egregious bones
Maybe that’s why they removed the E…

“Smiles are clear
in coalition with the
Now — I forget how
to be
Anything but — here”
– Joshua Corwin
Listening
to you;
⸺
wow
that last line
really
hits home...
Hurts a little,
like microscopic
shards of glass dust
in my feet.
I tumble and fall
each time I try
to walk your
straight-line poetics.
Quicksand
emotions
pull me
closer
to the center
of
my darkness.
In this upside-down where,
stranger things are
normal screams of
agony I carry in my smile
Yes
means no,
and
no means go;
but
where can I go to
escape
my love for you?
I
place it
on top of
my pain,
my ever growing
Eiffel towered grief.
My sturdy,
dependable
heartache –
where no
matter which path –
I choose
to take…
none of them,
lead me,
to
you.
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